- Author: Jen Gunnels Author Record # 164329
- Legal Name: Gunnels, Jennifer Sue
- Birthplace: Flint, Michigan, USA
- Birthdate: 13 March 1968
- Language: English
- Webpages: SFE
- Used These Alternate Names: Jennifer Gunnels
Other views: | Summary Awards Chronological |
Magazine Editor
- Tor.com - 2019 (2019)
- Tor.com - 2019 (2019) with Jennifer Gunnels
- Tor.com - 2020 (2020)
- Tor.com - 2020 (2020) with Jennifer Gunnels
- Tor.com - 2022 (2022)
- Tor.com - 2022 (2022) with Jennifer Gunnels
- Tor.com - 2023 (2023)
- Tor.com - 2023 (2023) with Jennifer Gunnels
- Anticipate This (2013)
- Book Culling—Murder or Mercy? (2011) with A. P. Canavan
- Grokking Rhetoric through Science Fiction: A Practical Examination of Course Construction (2010)
- How Do I Get the Bad Taste Out of My Brain?: A Rant in Response to Ralph Willingham's "Science Fiction and the Theatre" (2013)
- Read This: Recently read and recommended (2012)
- Review of "Jane the Plain", written by August Schulenburg, directed by Kelly O'Donnell (2014)
- Review of "Potion, A Play in Three Cocktails", conceived by Kiran Rikhye and Jon Stancato, directed by Jon Stancato (2014)
- Review of "Savage Radio Plays", cocreated and directed by Daniel Patrick Fay and Andrew Livingston (2011)
- Review of "Space Captain, Captain of Space", written by Jeff Sproul, directed by Lindsey Moore Sproul (2012)
- Review of "The Empire Shotz Back: Six Plays" produced by Amios (2013)
- Review of "u (Universal)", a Klingon opera by Marc Okrand and Eef van Breen (2011)
- Review of performance "Hello Hi There", concept and direction by Annie Dorsen (2011)
- Review of the dance performance "The Deep" created by Adrian Jevicki, performed by Movementpants Dance, featuring Adrian Jevicki and Run Shayo (2011)
- Review of the musical "Rocket Boys" by Homer Hickam Jr., Carl Anthony Tramon, Dan Tramon, and Diana Belkowski (2010)
- Review of the opera "Red Giant", composed by Adam Matlock; libretto by Brian Slattery; directed by Britt Olsen-Ecker (2014)
- Review of the performance "Xenophilia", based on the works of James Tiptree, Jr. and music of Connie Converse (2012)
- Review of the play "A Tale Told by an Idiot" directed by Robert Richmond (2010)
- Review of the play "An Evening with William Shatner Asterisk", written by Joe Diebes, conceived and directed by Phil Soltanoff (2014)
- Review of the play "Blast Radius", written by Mac Rogers, directed by Jordana William (2012)
- Review of the play "Death Valley", written by Adam Scott Mazer, directed by Dan Rogers (2012)
- Review of the play "Deinde", written by August Schulenburg, directed by Heather Cohn (2012)
- Review of the play "Do Androids Dream of Electric Sheep?" adapted by Edward Einhorn (2011)
- Review of the play "Dog Act" written by Liz Duffy Adams, directed by Kelly O'Donnell (2011)
- Review of the play "Frankenstein With Mary Shelley" adapted by Virginia Bartholomew (2011)
- Review of the play "Geek!" written by Crystal Skillman, directed by Robert Ross Parker (2013)
- Review of the play "Goldor$Mythyka: A Hero Is Born", written by Lynn Rosen, developed with and directed by Shana Gold (2013)
- Review of the play "Hearts Like Fists", written by Adam Szymkowicz, directed by Kelly O'Donnell (2013)
- Review of the play "Macbeth" by William Shakespeare, adaptation by Will Le Vasseur (2010)
- Review of the play "Motherboard", written by Adam Scott Mazer, directed by Will Fulton (2012)
- Review of the play "Nothing Stays", written by Jeanne Beckwith, directed by Teresa Langston (2014)
- Review of the play "Of Dice and Men", written by Cameron McNary, directed by Amy Overman (2012)
- Review of the play "Opportunity of a Lifetime" by Jeanne Beckwith (2011)
-
Review of the play "R.U.R." by Karel Čapek, adapted by Lee Eric Shackleford, directed by Valentina Fratti?Review of the play "R.U.R." by Karel Capek, adapted by Lee Eric Shackleford, directed by Valentina Fratti(2013)
- Review of the play "Robots", directed and conceived by Christian Denisart (2010)
- Review of the play "Sovereign", written by Mac Rogers, directed by Jordana Williams (2012)
- Review of the play "The Adventures of Alvin Sputnik: Deep Sea Explorer", written, created and performed by Tim Watts (2013)
- Review of the play "The Truth Quotient" by Richard Manly, directed by Eric Parnes (2013)
- Review of the play "The Uncanny Valley", created and directed by Francesa Talenti (2014)
- Review of the plays "Sayonara" and "I, Worker", written and directed by Oriza Hirata (2013)
- Review of the radio production "The Time Machine" by H. G. Wells, adapted and directed by Dan Bianchi (2011)
- Review of the radio program "Lovecraft: Stories to Make You Squirm", adapted and directed by Dan Bianchi (2011)
- Review of The Second H. P. Lovecraft Festival: "Reanimator / The Call of Cthulhu", adapted by Dan Bianchi (2011)
- Review of the Selected Shorts readings at Symphonyspace of "My Mother She Killed Me, My Father He Ate Me" edited by Kate Bernheimer (2011)
- Review of the stage play "Advance Man" by Mac Rogers, directed by Jordana Williams (2012)
- Review of the stage play "The Little One" written by James Comtois (2010)
- Review of the stage production "Bellona, Destroyer of Cities" based on Dhalgren by Samuel R. Delany, adapted and directed by Jay Schieb (2010)
- See This (NYRSF, June 2014) (2014)
- Todd Machover's Death & The Powers (2011)
- Codename Prague (2011) by D. Harlan Wilson
- Finch (2010) by Jeff VanderMeer
- Rhetorics of Fantasy (2008) by Farah Mendlesohn
- An Interview with Andrea Hairston (2011) with Andrea Hairston