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Contents (view Concise Listing)

• 2 • Headitorial (Bloodsongs #2, June 1994) • essay by Chris A. Masters and Steve Proposch
• 4 • Bloodsoaked Offerings (Bloodsongs #2, June 1994) • essay by The Readers
• 6 • Pulse: The Search for Early Australian Horror (Bloodsongs #2, June 1994) • essay by Steve Paulsen
• 10 • Beach of Lost Souls • shortstory by S. Darnbrook Colson
• 18 • Putting the Vile in Morbing Vyle: An Interview with Richard Harland • interview of Richard Harland • interview by Robert Hood
• 24 • Deathfeed • (1989) • poem by Denise Dumars
• 24 • Ghosts (Death of the Hippie) • poem by Robert C. Danley
• 25 • The Bath • shortstory by Richard Harland
• 29 • The Bitch Bark Demons • (1991) • poem by Cathy Buburuz (variant of The Bitchbark Demons)
• 30 • Out of the Comfort Zone (Bloodsongs #2, June 1994) • essay by Bill Congreve
• 32 • Night Walking • shortstory by Christopher Sequeira
• 35 • Attitude!: The Great Minds of Horror (Bloodsongs #2, June 1994) • essay by S. Darnbrook Colson
• 36 • Getting to Know Des • interview of D. F. Lewis • interview by Steve Proposch and Louise Beach
• 41 • Waiting for the Silence to Fall • poem by Rob Cook
• 41 • Lamentations • poem by Cathy Buburuz
• 42 • Aspen • shortfiction by D. F. Lewis
• 44 • Cut (Bloodsongs #2, June 1994) • essay by Michael Helms
• 48 • Succubi: Prologue (excerpt) • (1992) • shortfiction by Edward Lee
• 51 • Misanthropy • poem by Jonas Cord
• 52 • Blind Justice • shortstory by Maurice Xanthos
• 56 • In Living Horror (Bloodsongs #2, June 1994) • essay by Liam Routt
• 59 • Mind the Gap • shortstory by Bill Congreve
• 63 • Roadside • shortfiction by Steven Patten
• 63 • Film at Eleven • poem by William P. Robertson
• 63 • Fear • poem by William P. Robertson
• 64 • Video Nasties (Bloodsongs #2, June 1994) • essay by K. D. Kadavar
• 66 • Music Man • (1986) • shortstory by John B. Rosenman
• 73 • Big Magic (excerpt) • shortfiction by Rick Kennett
• 81 • Book Reviews (Bloodsongs #2, June 1994) • essay by uncredited
• 86 • Zines from Hell (Bloodsongs #2, June 1994) • essay by Chris A. Masters

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