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Contents (view Concise Listing)

• 5 • Editorial (F&SF, July 1996) • [Editorial (F&SF)] • essay by Kristine Kathryn Rusch
• 10 • The Longer Voyage • novelette by Michael Cassutt
• 36 •   Review: Angel by Garry Kilworth • review by Charles de Lint
• 36 • Books To Look For (F&SF, July 1996) • [Books To Look For] • essay by Charles de Lint
• 37 •   Review: Into the Deep by Ken Grimwood • review by Charles de Lint
• 38 •   Review: The Woman Who Lives in the Earth by Swain Wolfe • review by Charles de Lint
• 40 •   Review: Point of Hopes by Lisa A. Barnett and Melissa Scott • review by Michelle West
• 40 • Guilty Pleasures (F&SF, July 1996) • essay by Michelle West
• 42 •   Review: Project FarCry by Pauline Ashwell • review by Michelle West
• 43 •   Review: Myst: The Book of Atrus by Rand Miller and Robin Miller and David Wingrove • review by Michelle West
• 44 •  Cartoon: no caption • interior artwork by John Jonik
• 45 •   Review: Expiration Date by Tim Powers • review by uncredited
• 45 •   Review: None So Blind by Joe Haldeman • review by uncredited
• 45 •   Review: One Mind's Eye by Kathy Tyers • review by uncredited
• 46 •   Review: The 37th Mandala by Marc Laidlaw • review by uncredited
• 46 •  Cartoon: "Any advanced civilization will recognize a good sofa sale: Nasa's seetee program." • interior artwork by Mark Heath
• 47 • Three Dreams in the Wake of a Death • shortstory by Michael Bishop
• 51 •  Cartoon: "'It's an elephant.' 'I think you're right.' 'It's definitely an elephant.' 'No doubt about it.'" • interior artwork by John Jonik
• 52 • Chatting With Anubis • (1995) • shortstory by Harlan Ellison
• 58 • A Warm and Dangerous Time • [Science (F&SF)] • essay by Janet Asimov
• 69 • The Moon Maid • novelette by R. Garcia y Robertson
• 102 • Films: Hooray For Siliwood • [Films (F&SF)] • essay by Kathi Maio
• 111 • Kilroy Was Here • novella by Jack Cady
• 162 • Coming Attractions (F&SF, July 1996) • essay by uncredited
• bep •  Cartoon: "I'm wet, I'm cold, I've got barnacles on my butt. (shoop, shoop.)." • interior artwork by Bill Long

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