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Contents (view Concise Listing)

• 4 • The Alien Abduction • novelette by James L. Cambias
• 31 • Books To Look For (F&SF, September 2000) • [Books To Look For] • essay by Charles de Lint
• 31 •   Review: Gardens of the Moon by Steven Erikson • review by Charles de Lint
• 32 •   Review: 1632 by Eric Flint • review by Charles de Lint
• 34 •   Review: The Wonderful Edison Time Machine: A Celebration of Life by Malcolm Willits • review by Charles de Lint
• 36 • Books (F&SF, September 2000) • [Books (F&SF)] • essay by Elizabeth Hand
• 37 •   Review: The Incompleat Nifft by Michael Shea • review by Elizabeth Hand
• 39 •   Review: Meet Me at Infinity by James Tiptree, Jr. • review by Elizabeth Hand
• 40 •   Review: Mizora: A World of Women by Mary E. Bradley Lane • review by Elizabeth Hand
• 42 • Heat • shortstory by Dale Bailey
• 53 •  Cartoon: no caption • interior artwork by Tom Cheney
• 54 • Politics • shortstory by Mark W. Tiedemann
• 75 • Poop • shortstory by Ray Vukcevich
• 80 • Films: The Quantum Physics of Lost Chances • [Films (F&SF)] • essay by Kathi Maio
• 85 • Fidelity: A Primer • shortstory by Michael Blumlein
• 106 • Pandora's Box—Open with Care • shortstory by Robert Sheckley
• 111 •  Cartoon: "Using only his wit and parts from a '77 Dodge Dart, Bob travels a week into the future . . . a week later he arrives!" • interior artwork by Mark Heath
• 112 • Risks and Realities • [A Scientist's Notebook] • essay by Gregory Benford
• 120 • Coming Attractions (F&SF, September 2000) • essay by uncredited
• 124 • Nor Unbuild the Cage • shortstory by Sheila Finch
• 140 •  Cartoon: "Let's call it a night — things will look different in the morning." • interior artwork by Frank Cotham
• 141 • Jeremiah • novelette by Jack Cady
• 160 • Coming Attractions (F&SF, September 2000) • essay by uncredited
• 162 • Curiosities: Through the Alimentary Canal with Gun and Camera, by George Chappell (1930) • [Curiosities] • essay by Paul Di Filippo
• 162 •   Review: Through the Alimentary Canal with Gun and Camera by George S. Chappel • review by Paul Di Filippo

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