• Publication: Journal of the Fantastic in the Arts, Volume 31, Number 1Publication Record # 848743 (View All Issues) (View Issue Grid)
• Editor: Brian Attebery
• Date: 2020-00-00
• Publisher: International Association for the Fantastic in the Arts
• Format:
  unknown^?The publication record was created from a secondary source and the publication format is unknown.
• Type: MAGAZINE
• Notes: Data from publisher's website.

Contents (view Concise Listing)

• Introduction: Messages from an Alternate Reality • essay by Brian Attebery
• G. Willow Wilson: An Introduction • essay by David Higgins
• Who Are You Calling Political? (Or, Which Labels Are Applied to Which Stories, and Why) • essay by G. Willow Wilson
• An Interview with G. Willow Wilson • interview of G. Willow Wilson • interview by Noran Amin
• Mark Bould: An Introduction • essay by Paweł Frelik
• Our Frightful Hobgoblin, or, Notes Towards Full-on Fully Automated Luxury Green Diffabled Trans* Feminist Queer Interspecies Space Communism of Color • essay by Mark Bould
• Watching the (Re)calling of a Princess on Stage: On I Call myself Princess and Bearing Witness to Indigenous Histories through the Fantastic in Theatre • essay by Sheetala Bhat
• Reasonable Doubt: Edward Bulwer-Lytton's A Strange Story and the Limits of Skepticism • essay by Eliza Dickinson Urban
• A Brief History of EPVIDS: Subjectivity and Evil Possessed Vampire Demon Swords • essay by Dennis Wilson Wise
•   Review: America's Dark Theologian: The Religious Imagination of Stephen King by Douglas E. Cowan • review by James Arthur Anderson
•   Review: El monstruo como máquina de guerra by
  Mabel Moraña^?Mabel Morana
  • review by David Contreras
•   Review: Celestial Hellscapes: Cosmology as the Key to the Strugatskiis' Science Fictions by Kevin Reese • review by Rachel Cordasco
•   Review: Weird Tales of Modernity: The Ephemerality of the Ordinary in the Stories of Robert E. Howard, Clark Ashton Smith and H. P. Lovecraft by Jason Ray Carney • review by Timothy H. Evans
•   Review: The Artistry of Neil Gaiman: Finding Light in the Shadows by Kyle Eveleth and Joseph Michael Sommers • review by Anelise Farris
•   Review: The Fly by Emma Westwood • review by Dominick Grace
• Review of Matthias Fuchs's Phantasmal Spaces: Archetypical Venues in Computer Games • essay by Misha Grifka-Wander
•   Review: Science Fiction Circuits of the South and East by Anindita Banerjee and Sonja Fritzsche • review by James R. Krause and Scott Raines
•   Review: La ilusión persistente: Diálogos entre la ciencia ficción y el campo cultural by Silvia G. Kurlat Ares • review by Kiersty Lemon-Rogers
•   Review: Craving Supernatural Creatures: German Fairy-Tale Figures in American Pop Culture by Claudia Schwabe • review by C. S. MacCath [as by Ceallaigh S. MacCath-Moran]
•   Review: Holy Monsters, Sacred Grotesques: Monstrosity and Religion in Europe and the United States by Michael E. Heyes • review by John W. Morehead
•   Review: C'était demain: anticiper la science-fiction en France et au Québec (1880-1950) by Patrick Bergeron and Patrick Guay and Natacha Vas-Deyres • review by Amy J. Ransom
•   Review: George R. R. Martin and the Fantasy Form by Joseph Rex Young • review by Don Riggs
•   Review: Eleanor Cameron: Dimensions of Amazement by Paul V. Allen • review by Jaclyn L. Sutherland
•   Review: Harry Potter and Convergence Culture: Essays on Fandom and the Expanding Potterverse by Leisa A. Clark and Amanda Firestone • review by Megan Suttie
•   Review: Studying Horror Cinema by Bryan Turnock • review by Kai-Uwe Werbeck
•   Review: Masks in Horror Cinema: Eyes without Faces by Alexandra Heller-Nicholas • review by Rebecca Wynne-Walsh
•   Review: The Broken Spell: Indian Storytelling and the Romance Genre in Persian and Urdu by Pasha M. Khan • review by Mariam Zia