Help:Screen:EditTitle

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This page is a help or manual page for the ISFDB database. It describes standards or methods for entering or maintaining data in the ISFDB database, or otherwise working with the database. Other help pages may be found via the category below. To discuss what should go on this page, use the talk page.

If, after exploring the Help system, you still have a question, please visit the Help desk and let us know. We probably know the answer, but we need your help to know what we left out of the help pages.

If you are new to editing the ISFDB, please see Help:Getting Started.

For more on this and other header templates, see Header templates.


When you display a title record, there will be a link on the left navigation bar labeled "Edit Title Data" under "Editing Tools". Clicking on the link opens the "Title Editor" page, which lets you edit all fields of the title record.

Contents

Title

  • Title - The title of the work. The title should appear exactly as published, even though this may be different from the canonical title. Note that if you are cloning a publication, this field is not editable for existing content records.
    • Novels. For a novel, the title should be identical to the title of the publication in which the novel is published, unless the novel is included in an omnibus or collection. There can be differences in unusual cases: for example, a publication title might be "The Official Dune", for Frank Herbert's preferred text, but the novel contained in that publication might still have the title "Dune", depending on how the work is presented. Usually, however, the title page will provide the novel's title. This is typically the page with the copyright information on the back. If you're entering a novel from within an omnibus, there may be a separate title page for each novel. Note also that if you're entering a novel using the "New Novel" screen, you will not be given an option to enter the novel title separately from the publication title. This should never matter, since for a novel the publication and title should use the same form of the title, but if it does -- for example if this is a scholarly presentation of the work, and the novel is given a separate title page within this presentation -- then you should use a different type, such as COLLECTION or ANTHOLOGY.
    • Subtitles. If the title has a subtitle, enter it, with a colon and a space used to separate the title from the subtitle. For example, the 1986 edition of George MacDonald's "Lilith" has "Lilith" on the title page, and below that, in a smaller font, "A Romance". This should be entered as "Lilith: A Romance". It is sometimes a judgment call as to whether a change of font or a colon indicates a subtitle or just some creative license on the part of the typesetter. If in doubt, take your best guess and document the guess on the publication's wiki page.
    • Short fiction, essays and poems. For short stories, essays and poems, when working from a primary source, always take the title from the heading on the page where the work begins. The title shown in/on the table of contents, running page headers, index, front cover of the publication, secondary bibliography, or a promotional website listing is secondary. Any differences between titles in the publication may be noted in the publication notes, but this is not required. If titles are being entered solely from a secondary source, please record the source in the note field.
    • Excerpts. Sometimes an excerpt from a forthcoming book will be printed at the back of a book. This should be treated as short fiction. If the excerpt has a title that makes it clear that it is only an excerpt, use that title. Otherwise, use the title given, but add " (excerpt)" to the end; e.g. "A Feast for Crows (excerpt)".
    • Omnibuses, nonfiction, anthologies and collections. Like novels, the title of an omnibus, nonfiction booklength work, anthology or collection is duplicated from the publication title at the time the publication is created. Unlike novels, however, these titles are not displayed as content records unless there is a discrepancy between the publication type and the title type. See the help for the entry type field for more discussion.
      • When recording an omnibus publication, please record all of its contents. If it contains one or more collections, please record both the collection titles and the individual short fiction or essay titles as part of the omnibus's contents.
    • Artwork. Interior art should have the same title as the fiction or essay it is associated with. If it is independent of other content, and has no apparent title or caption, give it the title of the publication in which it appears, disambiguating if necessary. [Note: occasionally a work may actually be titled "Untitled" which can correctly be given as the title of the work in the ISFDB record.] Cover art should have the same title as the title of the publication that it is associated with. Artwork on the back cover of a publication is treated as interior art.
    • Case. Titles should have case regularized unless there is some specific evidence that the author intended certain letters to be in a specific case. For example, if the title is "EXTRO" in all caps, the title should be entered as "Extro". This applies to the titles of short stories as well as books. Typesetting style is not important; for example, Fantastic Universe typically printed story titles in lower case, but these titles are regularized for the ISFDB. Regularized case means that the first and last words are capitalized, and all other words are capitalized except for "a", "an", "and", "at", "by", "for", "from", "in", "of", "on", "or", "the", "to", and "with". Hyphenated words have the first letter after the hyphen capitalized.
    • Symbols and punctuation:
      • An ellipsis should be entered as the sequence "period", "period", "period" without spaces in between the periods. If the ellipsis is in the middle of the title, it should be entered with a space after it, prior to the start of the following word.
      • Em-dashes should be entered directly adjacent to the words on both sides. Hyphens and spaces make different titles: "Hell Fire", "Hellfire", and "Hell-Fire" are three different titles, and should be entered as such.
      • Quotes can be entered either as single (') or double (") quotes. They are considered interchangeable typographical artifacts and no variant titles should be created for versions of the same story that use different types of quotes.
      • Strange symbols should be entered if appropriate typographical characters exist. If not, do what you can and make a note as necessary on the wiki page. For example, John Varley's story "Press Enter" is often titled with a black rectangle, indicating a computer cursor, at the end. Other characters should be entered in Unicode if possible; this includes accented characters, and symbols such as em-dashes. Note that if you are using a Windows computer, you can use the Windows Character Map to enter unusual characters; to access the Character Map, go to Start->All Programs->Accessories->System Tools.
    • Fonts. Sometimes a title will have one or more words in italics, or in boldface, or in an unusual font. The ISFDB software would permit representing these via embedded HTML. However, this would mean that user searches that did not include the HTML would fail in many cases where they ought to succeed. Therefore, do not use embedded HTML to show font changes. For the same reason, do not use underscores to show _italics_, nor asterisks to show *boldface*, nor other typographical methods to show font in titles. If the font seems important, it can be shown and/or described in a note.
    • "Standard" titles. The title of a non-fiction piece of the ESSAY type may have a standard, or generic, title, such as "Introduction", "Editorial", "About the Author", "Foreword", or several other similar titles. If an author has written many "Introduction"s over their career, their bibliography will show several identical titles, with the only way to distinguish them is clicking on each one to find out its publication history. For this reason, you should parenthetically append the container title (title of the novel, collection, anthology, etc) to the title of the essay, i.e. "<generic essay title> (<container title>)" in order to create a unique title. For example, Susan Wood's introduction to the Le Guin collection The Language of the Night was entered as Introduction (The Language of the Night).

Transliterated Title

  • Transliterated Title. Populate only if the title is spelled using a non-Latin alphabet/script. If you know the Romanized form of the name, enter it in this field. If there is more than one possible Romanization, click on the Add Transliterated Title button below and enter the other Romanized spellings of the title. You can click on the Add button as many times as necessary. This field is not to be used to enter English translations, which can be added to Notes if known.

Author

  • Author - The name of the author of the work. This will be duplicated from the publication author field for novels, anthologies, collections and omnibuses. The name should be entered exactly as it actually appeared in the publication. This includes pseudonyms, abbreviated names ("I. Asimov" instead of "Isaac Asimov", "Robert Heinlein" instead of "Robert A. Heinlein"), etc. As with the title, take the author credit from the title page rather than the cover or spine of the book. In a collection or anthology, take the credit for individual stories, essays, and other short content from that given at the start of the story or essay. Do not use the author credit given on the publication's contents page unless there is no credit for the individual works. Most single-author collections understandably will not credit an author at the start of each story. But there are instances where a pseudonym is credited for some entries, and that credit should be used. If necessary, a variant title record should be created after the submission has been accepted. An exception is made for fictional essays, which are written as if by a character in the story, often as an introduction or afterword. Even if these are signed by the fictional character, they should be recorded as by the actual author of the work. Note that if you are cloning a publication, this field is not editable for existing content records.
    • Anonymous or uncredited works. If a work is credited to "Anonymous", then put "Anonymous" in the author field. The same applies for any obviously similar pseudonym, such as "Noname". If the work is not credited at all, use "uncredited", with a lower case "u". (If you are working from a secondary source which does not specify the author, but does not explicitly state that no author is credited in the publication, use "unknown" rather than "uncredited".) This applies to stories and essays that are not credited (often the case for short announcements in magazines, for example), and artwork that is not attributed and for which no signature can be identified. Letter columns with embedded editorial responses should be credited to whoever writes the responses, or to "uncredited" if this is not obvious. If a work is attributed to a role, e.g. "Editor" or "Publisher", then use that name as the author, even if you have clear evidence as to who the author really is. For example, editorials in magazines were frequently uncredited, or credited to "The Editor"; these should be entered with the Author field set to "The Editor". The intent is that the record made from the publication should reflect what can be found in the publication. If there is a reliable source (such as a collection of editorials from a magazine, making it clear who the author was) that identifies the author, then you can make the uncredited record into a variant of a record crediting the actual author (see Help:Screen:MakeVariant). This will attach the work to the true author's bibliography, without giving incorrect data about what is actually in the source publication. The source should be documented in the title notes.
    • Case. Case should be regularized. A few magazines and books had typographical conventions that include, for example, printing an author's name in all lower case, or all upper case. These should be converted to leading capitals. If a name includes an element that typically is not capitalized, it should be uncapitalized regardless of how it is presented in the publication. For example, if a magazine gives a story as by "L. Sprague De Camp", the name should be entered as "L. Sprague de Camp". Author names that vary only in capitalization are not tracked as variants.
    • Initials. Initials should normally be entered followed by a period and a space as "Gordon R. Dickson" or "K. D. Wentworth", even if the period or space is omitted in the publication. However, when it is clearly the author's choice to omit the period, or when the author has a single letter name that is not an initial (e.g. "Harry S Truman") the period should be omitted. In the very rare case where an author prefers two (or more) initials as if they were a name (such as "TG Theodore"), without a period or space, and is so credited, we follow the author's preference. A possible clue to such cases occurs when most authors have initials shown with period and space, but a particular author is handled differently in a magazine or anthology. Checking other sources, such as a Wikipedia article or the author's web site, is a good idea. Such non-standard forms should be mentioned in a publication or title note.
    • Short stories and artwork. For short stories that appear in magazines and anthologies, the author's name should be taken from the story heading, rather than from the table of contents, if there is one. However, as with titles, this is not particularly important, and if they differ, and one is the generally used canonical form of an author's name, take the canonical one -- e.g. if the story heading says "P.J. Farmer" but the table of contents has "Philip Jose Farmer" then use the latter. Similarly, if you are entering the artist for interior illustrations, and the artist is credited as "Emsh", enter "Emsh", but if the contents page says "Illustrations by Ed Emshwiller", feel free to enter "Ed Emshwiller" as the artist even if the individual stories assign them to "Emsh". In tables of contents, magazines sometimes abbreviated long names (e.g. collaborations) to fit into the available space, but used longer forms of the names on the story titles. In these cases the longer form of the names should be used.
    • Pseudonyms. If you know that a particular author's name is a pseudonym, leave it as the pseudonym rather than changing it to the real name. The only exception is when a reprint shows both the original and subsequent names. For example, Isaac Asimov's "Lucky Starr" books were originally published under the pseudonym of Paul French, but were later reprinted with the cover giving both names: "by Isaac Asimov, writing as Paul French". In these cases you can simply give "Isaac Asimov" as the author. When a book is known to be ghost-written, this should be treated as a pseudonym; the ghost-writer will eventually show up as having a pseudonym of the well-known author, but that data is not entered via this field.
    • Accented characters. If you are entering a name such as "Philip José Farmer" that is printed with an accented e, that accented character should be reproduced in your entry of the name. Two versions of an author's name that are printed with and without accents are treated as variants; you should not convert one form to another. However, if an accented form is given on a story title, but an unaccented form is given on the table of contents, use the accented form as the standard.
    • Collaborations. If a story has two authors, make the first author you enter the author who is first, alphabetically. The ISFDB distinguishes between a story by "Robert E. Howard and L. Sprague de Camp" and one by "L. Sprague de Camp and Robert E. Howard". Since the order of author entry does not indicate primary author, use alphabetical order.
    • Writers "with" other writers. In some cases a writer is quoted as writing a story "with" another author; this can indicate that the more famous author did little more than lend their name to a project which was written almost entirely by a lesser known author. However, if both names appear on the title page, both names should be entered, in alphabetical order. A note can be added to the note field explaining the situation and giving a source.
    • Ranks, suffixes, prefixes. If an author is given as "Captain Robert L. Stone" then that should be entered in the database. Abbreviated versions of the rank should be entered as given, rather than expanded. For example, during World War II, on at least one occasion Amazing Stories printed an issue of stories from active service members, giving their ranks as part of the author attribution. These ranks should be included in the author names, and made into variant names for the relevant authors. Suffixes such as "Jr" should follow a comma and space, and be followed by a period if they are abbreviations. This should be regularized if they are not presented this way in the publication. E.g. "Sam Merwin Jr" should be entered as "Sam Merwin, Jr."; similarly, it's "Edward Elmer Smith, Ph.D."; or "Frederick C. Durant, III". Other prefixes and suffixes should follow analogous rules.
  • Add Author. If you need to add another author to this title, click on this button. You can add as many authors as needed.

Year

  • Year - The original publication date of this title. The format of the field is "YYYY-MM-DD" (ex: 2016-12-08 is today).
    • Note that if you are cloning a publication, this field is not editable for existing Content titles.
    • If you leave this field blank for a title in the Content section, then the title's date will automatically default to the date of the publication that contains it, which is OK if this is the first publication of the title. If, however, this is not the first publication of the title, then you need to find when the title first appeared and enter that date manually. You may need to check the copyright/acknowledgments pages or other bibliographic sources to find the first publication date.
    • When entering a variant title record, enter the earliest known date when this variant record was published. This includes variant title records created for new titles, new pseudonyms, new translations and/or significant textual revisions. If it's not clear whether textual revisions were significant, discuss the issue on Help desk‎. If the variant title is a translation but was published before the canonical title see the remarks on How to enter foreign language editions.
    • Serializations
      • Books: If a work has been serialized in a magazine, there may be a difference in textual content between the first magazine publication and the first book publication. "Skylark of Valeron", for example, appeared as a magazine serialization in 1933-4, but was not published in book form until 1949. Therefore, record the first book publication date. A note in the title field can record the magazine serialization date, if there is one. (Note that as more fully explained in Help:Use of the SERIAL type#Date Rule, the ISFDB uses the date of first book publication even if the magazine text is known to be the same as the book text.)
      • Magazines: Serial installments of a work are always given the date of the magazine in which they appear even if the work has been published previously in book or serial form. Novel length works (40,000+ words) printed as a single installment in a magazine are treated as serials and given the date of the issue in which they appear; the Title Type is "Serial" and the text "(Complete Novel)", preceded by a space, is appended to the title. See "Beyond This Horizon" for an example of a novel which was published as a multi-part serial, a book, and then as a single installment serial.
    • Plays and Scripts. Use the date when a play or script (teleplay, screenplay, radioplay, etc) was published, not the date when it was performed or broadcast. (If a dramatic work has been performed but not published in writing, it should not be entered.) In some cases plays and scripts are not published until many years after they are first performed.
    • Sources. If you know that a book's first edition is prior to the date in the title, the best thing to do is find a copy of the first edition, and enter that publication. Then the title record can be updated to match the earlier publication. If you're unable to locate a copy of the earlier book, it is generally not a good idea to use a copyright date without further checking. Copyright dates occasionally differ by a year from the date of publication of the book they refer to. Instead, look for secondary sources, such as bibliographic reference works, and enter data from there. Record your source in the notes field.

Series

  • Series Name - Entering a series name in this field will add this title to the series you name. If the series doesn't exist, the software will create it automatically. Note that there is no distinction between regular series, anthology series and non-fiction series made internally. All title records of all types belonging to the same series point to the same series record. The only difference is in the way they are displayed by the software. Also note that the software won't let you put variant titles in a series.
    • Impact of changing series names. You can change series names to anything you want, but keep in mind that if you change the name to the name of a pre-existing series, it may merge the two series' data when you don't expect it. To move titles from one series to another, edit the titles in the first series and change their series' names to the name of the second series. When the last title in a series is moved to another series, the "empty" series disappears.
    • How to change series names. In order to change the name of a series, display the series and select "Series Data" on the left, then change its name. Please note that a series may have only one name, so if two or more series names are equally popular (e.g. one name is preferred by the author, another one by the publisher, and a third one is commonly used in SF encyclopedias), the only option that we have is to list them all in a slash delimited format.
    • One thing that is not supported is having the same title belong to more than one series. This can be a problem in certain cases when a book clearly belongs to two or more series, but at this point there is no workaround.

SeriesNum

  • Series Number - If you know the order in which the titles in the series are supposed to be read, you can number them starting with 1. You can use decimal numbers like 4.5 to place a title between the titles numbered 4 and 5. No Roman numerals (like I or IV) or letters (like "1a" or "A") are allowed. Please note that some series are very linear (e.g. Harry Potter) and it's easy to tell how to assign series number to individual entries. Other series can have multiple possible numbering schemes reflecting the series' publication order, internal chronological order, intended publication order, "author recommended" order, etc. Please don't change pre-existing numbering schemes unless you are sure that they are in error. Any series with this sort of ambiguity in internal ordering should have the sequence worked out on the Series project page. This includes prequels, which can be listed first in the series, before the main entries; or listed after the main entries; or even split into a separate series which then becomes a subseries in a superseries comprising both the original series and the prequels. If you are entering data for an omnibus which contains multiple works in a series, see the note on the length field which allows information about an omnibus's series contents to be recorded. Also, you may not put variant titles in a series.

Length

  • Length - The length of the item in words. Note that if you are cloning a publication, this field is not editable for existing content records.

For SHORTFICTION titles the allowed values are:

  • ss - shortstory - A work whose length is less than or equal to 7,500 words. (Roughly 20 or fewer pages in a book.)
  • nt - novelette - A work whose length is greater than 7,500 words and less than or equal to 17,500 words. (Roughly 20 to 50 pages in a book.)
  • nv - novella - A work whose length is greater than 17,500 words and less than or equal to 40,000 words. (Roughly 50 to 100 pages in a book.)

For OMNIBUS titles enter the slash ("/") character followed by:

  • For omnibuses that contain numbered titles belonging to the same series, enter their respective numbers within the series, e.g. "/1,2" or "/4-6"
  • For other types of omnibuses, enter the count of included titles, e.g. "/3N" or "/2N+2C" where "N" stands for "Novel" and "C" stands for "Collection"

The entered text will be displayed after an "O" on all bibliographic pages for the omnibus.

For title types other than SHORTFICTION and OMNIBUS, the allowed values are:

  • jvn - juvenile - This work is targeted at the juvenile or Young Adult market. Note that this code is not available when editing the Contents section of a publication but you will see it when editing title records.
  • nvz - novelization - This story is a novelization of a movie, TV show, game or other non-written work. Note that this code is not available when editing the Contents section of a publication but you will see it when editing title records.

Web Page

  • Web Page - A field for the URL of a Web page related to this title. Examples of related Web pages include legally posted versions of the title's text and Web pages that discuss this title. If you need to enter URLs of additional Web pages, use the "Add Web Page" button and more "Web Page" fields will appear on the page. There is no limit to the number of URLs that can be entered for a title.

Language

  • Language - A field for the title's language. Select the appropriate language from the drop-down list. If the language of the title doesn't appear in the drop-down list, post a request to have it added on the Community Portal.

Title Type

  • Entry Type - The type of item being recorded. Note that if you are cloning a publication, this field is not editable for existing content records. The options are:
    • SHORTFICTION. Any form of fiction other than a novel should be given this entry type. A novel is defined as work of over 40,000 words; this cannot easily be determined by looking at a publication, so typically you should enter SHORTFICTION for anything you are not certain is a novel. Note that frequently a magazine will describe a story as a complete novel, even though it may be substantially below the 40,000 word mark. The description in the magazine should not be relied upon for this distinction. Some books contain fictional essays, purporting to written by a character in the book, as introductions or afterwords. There is no "FICTIONAL ESSAY" entry type, so you have to choose whether the entry is better described as SHORTFICTION or ESSAY.
    • ANTHOLOGY and COLLECTION. These are rarely the correct type for a content entry. If you create a new anthology or collection, an "ANTHOLOGY" or "COLLECTION" content record is automatically created by the ISFDB, but it is not displayed. However, if you are entering an omnibus, or a dos-a-dos book such as an Ace Double, which has an anthology or collection as one of the components, then you should create an anthology or collection entry as well as entries for the constituent stories. The difference between an anthology and a collection is that a collection is by a single author; stories by that author in collaboration with other authors are permissible, but if there are any two stories in the book that are by different authors then it is an anthology.
    • EDITOR. This entry type is created automatically for new Magazines/Fanzines and typically is not entered manually. The primary exception is when converting another type of publication, e.g. an Anthology, to a Magazine, in which case you will need to change the publication's "ANTHOLOGY" title to an "EDITOR" title.
    • ESSAY. Used for editorials, opinion pieces, and items such as "The Story Behind the Cover", "Next Issue", and letter columns. Occasionally the boundary between ESSAY and SHORTFICTION is blurred: for example, Fantastic Universe had a one page description of the cover in most issues. Some of these were formulated as if they were pages from stories; these are entered as SHORTFICTION. In other cases a brief framing paragraph at the end or beginning makes it clear that the text is discussing the cover, rather than intending to be a piece of fiction; these are entered as ESSAY. Some books contain fictional essays, purporting to written by a character in the book, as introductions or afterwords. There is no "FICTIONAL ESSAY" entry type, so you can choose whether the entry is better described as SHORTFICTION or ESSAY. Review columns and interviews are also entered as ESSAYs. If an interview column contains only one interview (as is usually the case), then the interview column does not need to be entered at all; instead, just enter the interview information in the Interview section. The details of what was reviewed, or who was interviewed, are recorded with REVIEW and INTERVIEW types, which are entered via the special Review and Interview sections described below. See also NONFICTION.
    • INTERIORART. There are three ways in which this can be used. First, if a single artist does all of the interior art for a book (e.g. Pauline Baynes for many of the "Narnia" editions), then a single content entry, without a page number, is appropriate. If each story in a collection, anthology or magazine is illustrated by one artist, the artwork can be indexed with a single entry for each artist and story. For example, the December 1956 issue of Infinity Science Fiction contains the story "My Sweetheart's the Man in the Moon" by Milton Lesser, which is illustrated by Stallman. The story starts on page 5 but the first piece of artwork is on page 9. In this case there is only one illustration for the story, but if there were multiple illustrations a single entry would still suffice. The page number given is the page number of the start of the story in this case; the title is the title of the content item being illustrated. An alternate option is to enter the first page where artwork appears. Page 9 would also be acceptable in the above case. It is also acceptable (but not required) to enter all pages where multiple artwork appears in a story. See Analog, January 1965 for an acceptable implementation. The multiple pieces of artwork should not be merged. If the illustration has a separate title or caption, document in the illustration's Notes field. The third way to use this entry type is to capture illustrations that are not attached to individual stories, or to capture illustrations of stories which are illustrated by multiple artists (a rare situation). In these cases each entry indicates a specific illustration, and the page number is the page number of the illustration itself. If an illustration is independent of other content, and has no apparent title or caption, give it the title of the publication in which it appears, disambiguating if necessary.
      • Maps. These are considered interior art for ISFDB purposes and are typed as INTERIORART. The format for titling maps is "Title of Work (map)", for example: Brightness Reef (map). Optionally, if a map is titled you can use the stated title of the map without appending the name of the work, for example The Land of Nehwon (map).
      • Rules for including artwork. If artwork illustrates a particular story, it should be included. If it does not, but is a significant piece of artwork, or is signed by or credited to a well known sf artist, then it should be included. Credited cartoons are always included. Uncredited full-page cartoons in digest magazines of at least 1/3 page cartoons in pulp and bedsheet size magazines are always included. The title should be "Cartoon: " followed by the caption, in the original case, between quotation marks. If there is no caption the words "no caption" should be used without quotation marks. See Dream World, February 1957 for examples. If an article is illustrated with diagrams, or with photographs, these do not need to be included; they are not "artwork" in the sense that we are indexing.
    • INTERVIEW. Generally you do not need to use this type; use the special interview details section lower down the editing page.
    • NONFICTION. Generally not used for content, since it refers to book length works. This might occur as an element of an omnibus.
    • NOVEL. Used for a fiction piece of more than 40,000 words. As noted above, under SHORTFICTION, you should generally ignore any statements made in magazines about something being a novel; this statement is often made about much shorter works. If you know something has been independently published as a novel, it is safe to mark it as a novel when you see it as a content element in a larger publication. For Ace Doubles, each content title will typically be a NOVEL, rather than SHORTFICTION, unless one of the constituent works is itself an anthology or a collection.
    • OMNIBUS. Do not use; the omnibus content type is created automatically by the ISFDB when an omnibus publication is entered. It is not displayed with the publication and never needs to be entered manually.
    • POEM. Self-explanatory.
    • REVIEW. Generally you do not need to use this type; use the special review details section lower down the editing page.
    • SERIAL. Use for an entry that would otherwise be either SHORTFICTION or NOVEL, but which is being serialized. Include "(Part 1 of 3)" etc in the title of the work. Occasionally this will lead to odd situations. For example, Frederik Pohl's novel "Jem" was serialized in Galaxy; it was initially intended to be a four part serialization, so the first two parts were listed as "Part 1 of 4" and "Part 2 of 4". By the time the third part was printed, it had been changed to a five part serialization, so the titles of the next two parts were "Part 3 of 5" and "Part 4 of 5". In this case it makes sense to go back and change the title of the first two parts; a note should be added to the note field of the publication to make it clear what has been done and why, if such a situation arises. Also, note that if the combination of story title and author name that is used in the serial was never used on a published version of the story, you will need to create a variant title of this novel to link it to the title used in the published version. For example, "The Space Merchants" by Frederik Pohl and C.M. Kornbluth was originally serialized as "Gravy Planet". This had to be created as a variant title to connect the serialized pieces to the published novel.

Non-Genre

  • Non-Genre - Check the check-box only if this title is not a work of speculative fiction and is not related to speculative fiction. Titles of all types can be "non-genre" except REVIEWs and INTERVIEWs. For example, there are stories that are widely known within sf, such as "Everyone Knows Joe" by C.M. Kornbluth, which are not science fiction by any means, but which are often included in genre collections for one reason or another -- in this case, because of Kornbluth's prominent reputation in the field. These stories should be marked "non-genre". You do not generally need to read every story to check if it is a genre story or not; stories in genre publications can be assumed to be genre unless you have some specific reason to believe otherwise.

Graphic Format

  • Graphic Format - Check the check-box only if this title is a graphic novel or another type of work in which graphic material is inseparable from the text. Titles of all types can be "graphic" except COVERART, INTERIORART, REVIEWs, and INTERVIEWs.

Synopsis

  • Synopsis - A short non-spoiler synopsis can be entered here. If you enter {{BREAK}} anywhere in the text, everything after {{BREAK}} will be displayed on a separate page, which will be linked from the Title page. Note that this is not a place for criticism or reviews, and should maintain a neutral point of view. It must be in English, even if the title's language is not English. State the source of the text if you didn't write it yourself. For instance:
   Structured in a manner reminiscent of Chaucer’s The Canterbury Tales, Hyperion is a linked 
   series of stories, all relating to the mysterious planet Hyperion. The stories are told by 
   7 hand-picked pilgrims, while in transit to the Time Tombs of Hyperion, which are opening 
   for the first time in centuries, and are normally inaccessible due to the lethal actions of 
   its guardian, The Shrike. The stories are told against a space opera backdrop in which humankind 
   has formed the Hegemony, a far-flung collective of planetary systems linked by farcaster portals, 
   threatened with attack by the Ousters (who are space-evolved humans) as the novel opens. The novel 
   has elements of both science fiction and horror, and covers a wide range of themes such as: 
   time-travel, artificial intelligence, virtual reality, religion, ecology, and the works of John 
   Keats. The book does not have closure in the conventional sense, and is continued in the sequel 
   The Fall of Hyperion. (Source: example.org)

Note

  • Note - This field is for notes about the title, not about any particular publication associated with that title. It is rarely necessary to add a note to the title. Possible reasons include describing the relationship of the title to others related to it, such as the relationship of a short story to a fixup in which the story's text is largely included. Very limited HTML can be used in such notes, but is mostly not needed and is never required. See Help:Using HTML in Note Fields for more details. If you enter {{BREAK}} anywhere in the text, everything after {{BREAK}} will be displayed on a separate page, which will be linked from the Title page.
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