• Publication: Locus, #114 June 9, 1972Publication Record # 265703 (View All Issues) (View Issue Grid)
• Editors: Charlie Brown, Dena Brown
• Date: 1972-06-09
• Publisher: Charlie & Dena Brown
• Pages: 10
• Format:
  quarto^?8.5" by 11" magazine, usually saddle-stapled, instead of side-stapled or glued
• Type: FANZINE
• Cover: Locus, #114 June 9, 1972 by Tim Kirk
• Notes: No printed price other than a subscription rate of 12 issues for $3.00 Most news items are not indexed here Dated "6/10/72" on the back page (perhaps the mailing date)

Contents (view Concise Listing)

• 1 • Locus Relocates • essay by uncredited
• 1 • Disclave 1972 • essay by Ginjer Buchanan
• 3 • SF Books Announced for May (1972) • essay by Joanne Burger
• 3 • SF Scheduled for June (1972) • essay by Joanne Burger
• 3 •  Locus #114 • interior artwork by Richard Powers
• 5 •  Locus #114 • interior artwork by Doug Lovenstein
• 6 • SF Magazines for May (1972) • [SF Magazines (Locus)] • essay by Anthony R. Lewis [as by Tony Lewis]
• 7 • Locus Looks at Books (Locus #114) • [Locus Looks at Books] • essay by Grant Carrington and George Alec Effinger and David G. Hartwell and Fred Patten [as by Grant Carrington and Geo. Alec Effinger and David G. Hartwell and Fred Patten]
• 7 •  Locus #114 • interior artwork by William Rotsler [as by Bill Rotsler]
• 7 •   Review: Again, Dangerous Visions by Harlan Ellison • review by George Alec Effinger [as by Geo. Alec Effinger]
• 8 •   Review: A Choice of Gods by Clifford D. Simak • review by David G. Hartwell
• 9 •  Locus #114 • interior artwork by Grant Canfield
• 9 •   Review: A Day in the Life by Gardner Dozois • review by David G. Hartwell
• 9 •   Review: Interplanetary Flight and Communication by
  Н. А. Рынин^?N. A. Rynin
  • review by Fred Patten
• 9 •   Review: The Reality Trip and Other Implausibilities by Robert Silverberg • review by David G. Hartwell
• 10 •  Locus #114 • interior artwork by Jack Gaughan
• 10 •   Review: Universe 2 by Terry Carr • review by Grant Carrington
• 10 •   Review: Timetracks by Keith Laumer • review by David G. Hartwell