• Publication: Perry Rhodan, #743: Inferno der DimensionenPublication Record # 721114 (View All Issues) (View Issue Grid)
• Editor: uncredited
• Date: 1987-04-28
• Catalog ID: PR3DE0743
• Publisher: Pabel-Moewig
• Price:
  DM 2.20^?DM: German (Deutsche) mark
• Pages: 68
• Format:
  digest^?Digest-size magazine, including both standard digest size, at about 7" by 4.5", and also large digest, such as recent issues of Asimov's, which are about 8.25" by 5.125".
• Type: MAGAZINE
• Cover: Perry Rhodan, #743: Inferno der Dimensionen (1975) • by Johnny Bruck
• Notes: "April 1987" should be stated in the copyright section. Day of publication from the weekly schedule. 'Leserkontaktseite' should take four pages. The interior technical illustration should actually take pp. 34 & 35. The cover art should match the ones for the novella's previous publications. For the cover design take a look for example at #745 of the magazine. Bruck and Mahr are credited at Perrypedia.

Contents (view Concise Listing)

• 3 • Perry Rhodan Leserkontaktseite (Perry Rhodan #1340) • [Perry Rhodan Leserkontaktseite] • essay by Horst Hoffmann
• 3 •  Letters (Perry Rhodan #1340) • essay by various
• 4 •  Perry Rhodan Leserkontaktseite (Perry Rhodan #1340) • interior artwork by Gunter Lepski [as by
  Günter Lepski^?Guenter Lepski
  ]
• 5 •  Letter (Perry Rhodan #1340) • essay by Martin Korsch
• 5 •  Cartoon: Die Witzrakete (Perry Rhodan #1340) • interior artwork by Gerson Hubbert
• 6 • Das Horoskop • [Perry Rhodan poems] • poem by Regina Bechstein
• 7 • Inferno der Dimensionen • [PR Zyklus 12: Die Aphilie • 743] • (1975) • novella by Hans Kneifel
• 34 • Terranische Raumstation Typ Modul • [Notes on technical illustrations in the Perry Rhodan universe] • (1975) • short fiction by uncredited
• 34 •  Terranische Raumstation Typ Modul (action scene) • (1975) • interior artwork by Bernard Stoessel
• 34 •  Terranische Raumstation Typ Modul • (1975) • interior artwork by Bernard Stoessel
• Der Mensch im Hyperraum (I) • [Perry Rhodan Computer • 44] • (1975) • essay by Kurt Mahr [as by uncredited]