Contents (view Concise Listing)

• Foreword (The Rosetta Archive: Notable Speculative Short Fiction in Translation) • (2022) • essay by Alex Shvartsman
• Rœsin • (2020) • novelette by Wu Guan
• Whale Snows Down • (2020) • short story by
  김보영^?Kim Bo-Young
  (variant of
  고래 눈이 내리다^?Golae nun-i naelida
  ) [as by Kim Bo-Young]
• The Green Hills of Dimitry Totzkiy • (2020) • short story by
  Эльдар Сафин^?El'dar Safin
  (trans. of
  Зеленые холмы Дмитрия Тоцкого^?Zelenye kholmi Dmitriya Totskogo
  2017) [as by Eldar Safin]
• Raising Mermaids • (2020) • short story by Dai Da
• Mater Tenebrarum • (2020) • novelette by Pilar Pedraza (trans. of Mater Tenebrarum 2000)
• Vik from Planet Earth • (2020) • short story by
  Евгений Лукин^?Evgeni Lukin
  [as by Evgeny Lukin]
• Biography of Algae • (2020) • short story by
  Martha Riva Palacio Obón^?Martha Riva Palacio Obon
  (trans. of Biographía de las algas)
• The Post-Conscious Age • (2020) • novelette by Su Min (trans. of
  后意识时代^?Houyizhi shidai
  2019)
• Just Like Migratory Birds • (2020) • short story by
  藤井太洋^?Fujii Taiyō
  Fujii Taiyou
  Fujii Taiyo
  ふじいたいよう
  [as by Taiyo Fujii]
• The Witch Dances • (2022) • short story by Tiago Ambrósio Lage
• Formally Slow • (2020) • novelette by Wei Ma
• Menopause • (2020) • short story by Flore Hazoumé (trans. of Ménopause 1994)
• The Mole King • (2020) • short story by Marie Hermanson (trans. of Mullvadskungen 1986)
• The Ancestral Temple in a Box • (2020) • short story by Chen Qiufan (trans. of
  匣中祠堂^?Xiá Zhōng Cí Táng
  Xiazhong Citang
  2019)
• No One Ever Leaves Port Henri • (2020) • novelette by
  К. А. Терина^?K. A. Teryna
  K. A. Terina
  [as by K. A. Teryna]
• Cousin Entropy • (2020) • short story by
  Michèle Laframboise^?Michele Laframboise
  (trans. of La cousine Entropie 2016)
• The Curtain Falls, the Show Must End • (2020) • novelette by Julie Novakova (trans. of
  Opona padá, hra skončila^?Opona pada, hra skoncila
  )
• About the Editors (The Rosetta Archive: Notable Speculative Short Fiction in Translation) • (2022) • essay by Anonymous