| 1 |
9.71 |
Flowers for Algernon |
1959 |
Daniel Keyes
|
| 2 |
9.67 |
Nightmare at 20,000 Feet |
1962 |
Richard Matheson
|
| 3 |
9.67 |
It's a Good Life |
1953 |
Jerome Bixby
|
| 4 |
9.67 |
Reasons to Be Cheerful |
1997 |
Greg Egan
|
| 5 |
9.50 |
The Screwfly Solution |
1977 |
James Tiptree, Jr.
|
| 6 |
9.50 |
Dear Devil |
1950 |
Eric Frank Russell
|
| 7 |
9.38 |
The Women Men Don't See |
1973 |
James Tiptree, Jr.
|
| 8 |
9.33 |
The Black Cat |
1843 |
Edgar Allan Poe
|
| 9 |
9.33 |
Behold the Man |
1966 |
Michael Moorcock
|
| 10 |
9.30 |
The Shadow Over Innsmouth |
1936 |
H. P. Lovecraft
|
| 11 |
9.18 |
Jeffty Is Five |
1977 |
Harlan Ellison
|
| 12 |
9.17 |
Story of Your Life |
1998 |
Ted Chiang
|
| 13 |
9.14 |
A Rose for Ecclesiastes |
1963 |
Roger Zelazny
|
| 14 |
9.14 |
The Last Question |
1956 |
Isaac Asimov
|
| 15 |
9.14 |
Scanners Live in Vain |
1950 |
Cordwainer Smith
|
| 16 |
9.14 |
Light of Other Days |
1966 |
Bob Shaw
|
| 17 |
9.12 |
The Little Black Bag |
1950 |
C. M. Kornbluth
|
| 18 |
9.11 |
Fondly Fahrenheit |
1954 |
Alfred Bester
|
| 19 |
9.08 |
Mimsy Were the Borogoves |
1943 |
Lewis Padgett
|
| 20 |
9.08 |
The Call of Cthulhu |
1928 |
H. P. Lovecraft
|
| 21 |
9.06 |
Nightfall |
1941 |
Isaac Asimov
|
| 22 |
9.00 |
The Pit and the Pendulum |
1842 |
Edgar Allan Poe
|
| 23 |
9.00 |
The Tell-Tale Heart |
1843 |
Edgar Allan Poe
|
| 24 |
9.00 |
The Cask of Amontillado |
1846 |
Edgar Allan Poe
|
| 25 |
9.00 |
The Machine Stops |
1909 |
E. M. Forster
|
| 26 |
9.00 |
Enemy Mine |
1979 |
Barry B. Longyear
|
| 27 |
9.00 |
Kaleidoscope |
1949 |
Ray Bradbury
|
| 28 |
8.93 |
The Ones Who Walk Away from Omelas |
1973 |
Ursula K. Le Guin
|
| 29 |
8.91 |
A Sound of Thunder |
1952 |
Ray Bradbury
|
| 30 |
8.90 |
The Word for World Is Forest |
1972 |
Ursula K. Le Guin
|
| 31 |
8.88 |
Sandkings |
1979 |
George R. R. Martin
|
| 32 |
8.88 |
Second Variety |
1953 |
Philip K. Dick
|
| 33 |
8.86 |
The Marching Morons |
1951 |
C. M. Kornbluth
|
| 34 |
8.86 |
The Quest for Saint Aquin |
1951 |
Anthony Boucher
|
| 35 |
8.83 |
The Gernsback Continuum |
1981 |
William Gibson
|
| 36 |
8.83 |
And I Awoke and Found Me Here on the Cold Hill's Side |
1972 |
James Tiptree, Jr.
|
| 37 |
8.83 |
Arena |
1944 |
Fredric Brown
|
| 38 |
8.83 |
The Lucky Strike |
1984 |
Kim Stanley Robinson
|
| 39 |
8.82 |
The Veldt |
1950 |
Ray Bradbury
|
| 40 |
8.75 |
The Monkey's Paw |
1902 |
W. W. Jacobs
|
| 41 |
8.75 |
The Dunwich Horror |
1929 |
H. P. Lovecraft
|
| 42 |
8.71 |
"—And He Built a Crooked House" |
1941 |
Robert A. Heinlein
|
| 43 |
8.71 |
By His Bootstraps |
1941 |
Robert A. Heinlein
|
| 44 |
8.71 |
The Nine Billion Names of God |
1953 |
Arthur C. Clarke
|
| 45 |
8.71 |
An Occurrence at Owl Creek Bridge |
1890 |
Ambrose Bierce
|
| 46 |
8.70 |
Tower of Babylon |
1990 |
Ted Chiang
|
| 47 |
8.70 |
Passengers |
1968 |
Robert Silverberg
|
| 48 |
8.70 |
A Boy and His Dog |
1969 |
Harlan Ellison
|
| 49 |
8.67 |
Desertion |
1944 |
Clifford D. Simak
|
| 50 |
8.67 |
Impostor |
1953 |
Philip K. Dick
|
| 51 |
8.67 |
Nightwings |
1968 |
Robert Silverberg
|
| 52 |
8.67 |
Sailing to Byzantium |
1985 |
Robert Silverberg
|
| 53 |
8.62 |
Foundation |
1942 |
Isaac Asimov
|
| 54 |
8.62 |
Hell Is the Absence of God |
2001 |
Ted Chiang
|
| 55 |
8.62 |
We Can Remember It for You Wholesale |
1966 |
Philip K. Dick
|
| 56 |
8.60 |
When It Changed |
1972 |
Joanna Russ
|
| 57 |
8.57 |
The Persistence of Vision |
1978 |
John Varley
|
| 58 |
8.55 |
I Have No Mouth, and I Must Scream |
1967 |
Harlan Ellison
|
| 59 |
8.50 |
Fire Watch |
1982 |
Connie Willis
|
| 60 |
8.50 |
Houston, Houston, Do You Read? |
1976 |
James Tiptree, Jr.
|
| 61 |
8.50 |
The Colour Out of Space |
1927 |
H. P. Lovecraft
|
| 62 |
8.50 |
A Martian Odyssey |
1934 |
Stanley G. Weinbaum
|
| 63 |
8.50 |
Seventy-Two Letters |
2000 |
Ted Chiang
|
| 64 |
8.47 |
The Cold Equations |
1954 |
Tom Godwin
|
| 65 |
8.46 |
"All You Zombies ..." |
1959 |
Robert A. Heinlein
|
| 66 |
8.44 |
Allamagoosa |
1955 |
Eric Frank Russell
|
| 67 |
8.43 |
Blood Music |
1983 |
Greg Bear
|
| 68 |
8.43 |
The Ugly Chickens |
1980 |
Howard Waldrop
|
| 69 |
8.43 |
Beyond Lies the Wub |
1952 |
Philip K. Dick
|
| 70 |
8.43 |
To Serve Man |
1950 |
Damon Knight
|
| 71 |
8.33 |
Understand |
1991 |
Ted Chiang
|
| 72 |
8.33 |
The Pusher |
1981 |
John Varley
|
| 73 |
8.33 |
The Star |
1955 |
Arthur C. Clarke
|
| 74 |
8.31 |
Ender's Game |
1977 |
Orson Scott Card
|
| 75 |
8.29 |
Speech Sounds |
1983 |
Octavia E. Butler
|
| 76 |
8.29 |
The Crystal Egg |
1897 |
H. G. Wells
|
| 77 |
8.25 |
Microcosmic God |
1941 |
Theodore Sturgeon
|
| 78 |
8.25 |
There Will Come Soft Rains |
1950 |
Ray Bradbury
|
| 79 |
8.22 |
Coraline |
2002 |
Neil Gaiman
|
| 80 |
8.17 |
The State of the Art |
1989 |
Iain M. Banks
|
| 81 |
8.17 |
That Only a Mother |
1948 |
Judith Merril
|
| 82 |
8.14 |
That Hell-Bound Train |
1958 |
Robert Bloch
|
| 83 |
8.14 |
Neutron Star |
1966 |
Larry Niven
|
| 84 |
8.14 |
The Way of Cross and Dragon |
1979 |
George R. R. Martin
|
| 85 |
8.14 |
The Bicentennial Man |
1976 |
Isaac Asimov
|
| 86 |
8.00 |
The Big Front Yard |
1958 |
Clifford D. Simak
|
| 87 |
8.00 |
Love Is the Plan the Plan Is Death |
1973 |
James Tiptree, Jr.
|
| 88 |
8.00 |
A Song for Lya |
1974 |
George R. R. Martin
|
| 89 |
8.00 |
The Dream-Quest of Unknown Kadath |
1943 |
H. P. Lovecraft
|
| 90 |
8.00 |
The Facts in the Case of M. Valdemar |
1845 |
Edgar Allan Poe
|
| 91 |
8.00 |
First Contact |
1945 |
Murray Leinster
|
| 92 |
7.94 |
"Repent, Harlequin!" Said the Ticktockman |
1965 |
Harlan Ellison
|
| 93 |
7.91 |
The Sentinel |
1951 |
Arthur C. Clarke
|
| 94 |
7.89 |
Nine Lives |
1969 |
Ursula K. Le Guin
|
| 95 |
7.89 |
The Doors of His Face, the Lamps of His Mouth |
1965 |
Roger Zelazny
|
| 96 |
7.88 |
The Fall of the House of Usher |
1839 |
Edgar Allan Poe
|
| 97 |
7.86 |
A Meeting with Medusa |
1971 |
Arthur C. Clarke
|
| 98 |
7.86 |
The Monkey Treatment |
1983 |
George R. R. Martin
|
| 99 |
7.86 |
The Day Before the Revolution |
1974 |
Ursula K. Le Guin
|
| 100 |
7.85 |
|
1984 |
John Varley
|
| 101 |
7.83 |
Rescue Party |
1946 |
Arthur C. Clarke
|
| 102 |
7.83 |
Earthmen Bearing Gifts |
1960 |
Fredric Brown
|
| 103 |
7.83 |
Air Raid |
1977 |
John Varley
|
| 104 |
7.80 |
Nightflyers |
1980 |
George R. R. Martin
|
| 105 |
7.75 |
The Rats in the Walls |
1924 |
H. P. Lovecraft
|
| 106 |
7.67 |
Liar! |
1941 |
Isaac Asimov
|
| 107 |
7.67 |
The Green Hills of Earth |
1947 |
Robert A. Heinlein
|
| 108 |
7.58 |
Born of Man and Woman |
1950 |
Richard Matheson
|
| 109 |
7.57 |
Super-Toys Last All Summer Long |
1969 |
Brian W. Aldiss
|
| 110 |
7.57 |
Shambleau |
1933 |
C. L. Moore
|
| 111 |
7.56 |
Bloodchild |
1984 |
Octavia E. Butler
|
| 112 |
7.56 |
The Fog Horn |
1951 |
Ray Bradbury
|
| 113 |
7.56 |
The New Accelerator |
1901 |
H. G. Wells
|
| 114 |
7.56 |
Third from the Sun |
1950 |
Richard Matheson
|
| 115 |
7.50 |
Bears Discover Fire |
1990 |
Terry Bisson
|
| 116 |
7.50 |
Requiem |
1940 |
Robert A. Heinlein
|
| 117 |
7.50 |
Grotto of the Dancing Deer |
1980 |
Clifford D. Simak
|
| 118 |
7.50 |
Call Him Lord |
1966 |
Gordon R. Dickson
|
| 119 |
7.44 |
The Deathbird |
1973 |
Harlan Ellison
|
| 120 |
7.43 |
Dagon |
1919 |
H. P. Lovecraft
|
| 121 |
7.42 |
The Roads Must Roll |
1940 |
Robert A. Heinlein
|
| 122 |
7.40 |
Gonna Roll the Bones |
1967 |
Fritz Leiber
|
| 123 |
7.38 |
The Star |
1897 |
H. G. Wells
|
| 124 |
7.33 |
Out of All Them Bright Stars |
1985 |
Nancy Kress
|
| 125 |
7.33 |
Vaster Than Empires and More Slow |
1971 |
Ursula K. Le Guin
|
| 126 |
7.33 |
Of Mist, and Grass, and Sand |
1973 |
Vonda N. McIntyre
|
| 127 |
7.29 |
Or All the Seas with Oysters |
1958 |
Avram Davidson
|
| 128 |
7.29 |
26 Monkeys, Also the Abyss |
2008 |
Kij Johnson
|
| 129 |
7.25 |
Helen O'Loy |
1938 |
Lester del Rey
|
| 130 |
7.25 |
Life-Line |
1939 |
Robert A. Heinlein
|
| 131 |
7.17 |
The Whimper of Whipped Dogs |
1973 |
Harlan Ellison
|
| 132 |
7.17 |
Roog |
1953 |
Philip K. Dick
|
| 133 |
7.17 |
Division by Zero |
1991 |
Ted Chiang
|
| 134 |
7.17 |
Reason |
1941 |
Isaac Asimov
|
| 135 |
7.14 |
The Father-Thing |
1954 |
Philip K. Dick
|
| 136 |
7.14 |
Runaround |
1942 |
Isaac Asimov
|
| 137 |
7.12 |
The Weapon Shop |
1942 |
A. E. van Vogt
|
| 138 |
7.00 |
Pretty Maggie Moneyeyes |
1967 |
Harlan Ellison
|
| 139 |
7.00 |
Grandpa |
1955 |
James H. Schmitz
|
| 140 |
7.00 |
Coming Attraction |
1950 |
Fritz Leiber
|
| 141 |
7.00 |
The Monsters |
1953 |
Robert Sheckley
|
| 142 |
7.00 |
Meathouse Man |
1976 |
George R. R. Martin
|
| 143 |
7.00 |
He Who Shapes |
1965 |
Roger Zelazny
|
| 144 |
6.89 |
Aye, and Gomorrah ... |
1967 |
Samuel R. Delany
|
| 145 |
6.86 |
Dinner in Audoghast |
1985 |
Bruce Sterling
|
| 146 |
6.83 |
Slow Sculpture |
1970 |
Theodore Sturgeon
|
| 147 |
6.83 |
Strange Playfellow |
1940 |
Isaac Asimov
|
| 148 |
6.57 |
Good News from the Vatican |
1971 |
Robert Silverberg
|
| 149 |
6.55 |
Time Considered as a Helix of Semi-Precious Stones |
1968 |
Samuel R. Delany
|
| 150 |
6.33 |
Fermi and Frost |
1985 |
Frederik Pohl
|
| 151 |
6.33 |
The Man Who Could Work Miracles |
1898 |
H. G. Wells
|
| 152 |
6.17 |
The Hole Man |
1974 |
Larry Niven
|
| 153 |
6.17 |
Blowups Happen |
1940 |
Robert A. Heinlein
|
| 154 |
5.50 |
Adrift Just Off the Islets of Langerhans: Latitude 38° 54' N, Longitude 77° 00' 13" W |
1974 |
Harlan Ellison
|